Image and Identity: A Review of ‘Gainsborough: The Fashion of Portraiture’ at The Frick Collection Abigail Jones, Staff Reporter April 23, 2026
Juicy Couture, Low-Rise Jeans, and a Social Media Renaissance Jannathul Hosen, Staff Reporter March 16, 2026
How Gen Z Students Are Reshaping High School Fashion Trends Christina Kantlis, Staff Reporter July 3, 2025
The Beauty of Maximalism: Its Roots and Its Significance in the Present Day Luna King, Staff Reporter February 12, 2025
Looking ‘Camp’ Right in the Eye: An Exploration of the Eccentric Aesthetic Tammy Lam, Staff Reporter July 24, 2023
New York’s New Look: The Evolution of Modernist Architecture Nicholas Anderson, Staff Reporter June 6, 2023
Thrifting’s Transformation: From Tacky to Trendy to Gentrified Pritika Patel, Staff Reporter February 1, 2022
How the ‘Back of the Closet’ Beads and Wires Became Jenn’s Jewels: A Profile of Jennifer Kim ’21 Ellen Wu, Staff Reporter January 11, 2021
![In ‘Mr. and Mrs. Andrews,’ Thomas Gainsborough blends portraiture and landscape in order to showcase the couple alongside the land that defined their wealth and status. [Image Credit: Thomas Gainsborough (1727–1788)
Mr. and Mrs. Andrews, ca. 1750
Oil on canvas
27 1/2 × 47 in. (69.8 × 119.4 cm)
© The National Gallery, London; used by permission]](https://thesciencesurvey.com/wp-content/uploads/2026/04/JonesGainsborough1-1200x705.jpg)
