Image and Identity: A Review of ‘Gainsborough: The Fashion of Portraiture’ at The Frick Collection Abigail Jones, Staff Reporter April 23, 2026
When Art Refuses to Obey: The Politicization of Abstract Art Sophia Birman, Staff Reporter March 16, 2026
“Libertad” – Venezuela’s Muffled Cries for Freedom Bethany Karlinsky, Staff Reporter February 12, 2025
Putting PEN to Paper: A Conversation with PEN America CEO Suzanne Nossel Nora Torok, Staff Reporter July 21, 2023
The Appalling Tale of North Korea and Its Inhabitants Who Escaped Elizabeth Gloria Jung, Staff Reporter March 2, 2022
Teens for Press Freedom: Protecting Journalists and the First Amendment Ellora Klein, Staff Reporter January 11, 2021
![In ‘Mr. and Mrs. Andrews,’ Thomas Gainsborough blends portraiture and landscape in order to showcase the couple alongside the land that defined their wealth and status. [Image Credit: Thomas Gainsborough (1727–1788)
Mr. and Mrs. Andrews, ca. 1750
Oil on canvas
27 1/2 × 47 in. (69.8 × 119.4 cm)
© The National Gallery, London; used by permission]](https://thesciencesurvey.com/wp-content/uploads/2026/04/JonesGainsborough1-1200x705.jpg)
![The Muslim Students' Association at Bronx Science is a safe haven for hijabis. Humairah Chowdhury ’23 mentioned how MSA “provided [her] with an escape from the stress of school.”](https://thesciencesurvey.com/wp-content/uploads/2023/04/unnamed.png)
