Lingering Light in Fashion Photography: ‘Lillian Bassman: Bazaar and Beyond’ at The Metropolitan Museum of Art Emilia Wang McKinney, Staff Reporter June 11, 2026
Image and Identity: A Review of ‘Gainsborough: The Fashion of Portraiture’ at The Frick Collection Abigail Jones, Staff Reporter April 23, 2026
Energy and Motion: A Review of Robert Rauschenberg’s Exhibit ‘Life Can’t Be Stopped’ at the Guggenheim Museum Eloisa Soto, Staff Reporter April 1, 2026
The Allure of the Story: A Review of the Morgan Library’s ‘Come Together: 3,000 Years of Stories and Storytelling’ Bea Sireci, Staff Reporter March 28, 2026
The Fine Line Between Artistry and Documentation: Discovering Old Paris at the ‘Eugène Atget: The Making of a Reputation’ Exhibit at ICP Abigael Sidi, Staff Reporter March 27, 2026
Paintings That Speak Across Centuries: A Review of Bellini’s ‘Pietà’ and Perugino’s ‘Man of Sorrows’ at the Morgan Library & Museum Chiara Capurso, Staff Reporter March 17, 2026
When Art Refuses to Obey: The Politicization of Abstract Art Sophia Birman, Staff Reporter March 16, 2026
Tanglewood’s Living Legacy: Shaping Classical Music’s Future Gretchen Kamm, Staff Reporter March 13, 2026
The Netflix Vision: Co-Founder, Reed Hastings’ Success in Netflix Anjika Singh, Staff Reporter March 13, 2026
Paper, Pencil, and Paint: Bronx Science’s Digital Arts Club Jasmin (Jazz) Sohi, Staff Reporter March 11, 2026
Isamu Noguchi’s Vision: The Intersection of Art, Space, and Movement Abigail Gutkovich, Staff Reporter February 3, 2026
The Problems With Using Artificial Intelligence to Create Art Jiangzhuo Wu, Staff Reporter February 3, 2026
Where the Stage Shrinks and the Soul Expands: NPR’s Tiny Desk Concert Luna King, Staff Reporter February 3, 2026
Ukraine’s Visual Frontline: How Artists Are Reimagining Resistance Sophia Birman, Staff Reporter February 3, 2026
The Future is Now: Exploring the Changing Face of Fascist Italy at Poster House Madison Kang, Staff Reporter January 31, 2026
Entering Man Ray’s Phantasma: ‘When Objects Dream’ at The Metropolitan Museum of Art Ella Goodstein, Staff Reporter January 14, 2026
When Virality Replaces Artistry: The Musical Monoculture of TikTok Sadie O’Connell, Staff Reporter January 13, 2026
‘Anish Kapoor: Early Works’ : Finding Meaning in the Abstract Abigael Sidi, Staff Reporter January 13, 2026
![In ‘Mr. and Mrs. Andrews,’ Thomas Gainsborough blends portraiture and landscape in order to showcase the couple alongside the land that defined their wealth and status. [Image Credit: Thomas Gainsborough (1727–1788)
Mr. and Mrs. Andrews, ca. 1750
Oil on canvas
27 1/2 × 47 in. (69.8 × 119.4 cm)
© The National Gallery, London; used by permission]](https://thesciencesurvey.com/wp-content/uploads/2026/04/JonesGainsborough1-1200x705.jpg)
