Capturing the Essence of What It Means to Be a New Yorker: Modern Library’s New Edition of Joseph Mitchell’s ‘The Bottom of the Harbor’ Jasmin (Jazz) Sohi, Staff Reporter May 12, 2026
Image and Identity: A Review of ‘Gainsborough: The Fashion of Portraiture’ at The Frick Collection Abigail Jones, Staff Reporter April 23, 2026
Capturing the City: ‘Fragmentary Glimpses: Alfred Stieglitz and David Vestal in New York’ at the Robert Mann Gallery Emilia Wang McKinney, Staff Reporter March 16, 2026
Council Member Eric Dinowitz’s Vision for New York City Schools Frances Auth, Staff Reporter March 16, 2026
Bing Bong: The New York Knicks Are Making History in the Garden Sara Vichaidith, Staff Reporter March 16, 2026
The Sound of Ambition: How New York City Cultivates Its Young Innovators Lila Bowles, Staff Reporter March 14, 2026
Can Public Housing Hurt a City’s Architectural Identity? Anthony Ortega, Staff Reporter March 13, 2026
Should New York City Have a Walmart or Is That the Worst Thing For New Yorkers? Namira Malek, Staff Reporter March 10, 2026
Where Machine Meets Mystique: Nina Holland’s Reissue of Alexey Brodovitch’s ‘Ballet’ Willa Huber, Staff Reporter February 3, 2026
Craig Mod’s Walking Meditation in ‘Things Become Other Things’: Finding Clarity on Japan’s Quiet Paths Hana Cleemann, Staff Reporter February 3, 2026
The Forest is Losing Its Roots: How Chain Stores Are Reshaping Forest Hills Lila Bowles, Staff Reporter February 3, 2026
The Future is Now: Exploring the Changing Face of Fascist Italy at Poster House Madison Kang, Staff Reporter January 31, 2026
The Rise of Vickie Paladino, a Member of the New York City Council For the 19th District Daniel Humphries, Staff Reporter January 25, 2026
The History of Our Perception of Pigeons: From Rock Dove to Winged Rat Sally Kramer, Staff Reporter January 23, 2026
The Annual Festival That Opens Doors to New Yorkers: Open House New York Weekend Audrey Lu, Staff Reporter January 22, 2026
![In ‘Mr. and Mrs. Andrews,’ Thomas Gainsborough blends portraiture and landscape in order to showcase the couple alongside the land that defined their wealth and status. [Image Credit: Thomas Gainsborough (1727–1788)
Mr. and Mrs. Andrews, ca. 1750
Oil on canvas
27 1/2 × 47 in. (69.8 × 119.4 cm)
© The National Gallery, London; used by permission]](https://thesciencesurvey.com/wp-content/uploads/2026/04/JonesGainsborough1-1200x705.jpg)
