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‘Ink and Ivory’ at The Met: James Ivory’s Personal Journey Through Indian Art
Rida Nuamah
, Staff Reporter
March 18, 2025
“She Has No Shadow!”: A Review of Richard Strauss’ Die Frau ohne Schatten at the Met
Emi Hare-Yim
, Staff Reporter
March 12, 2025
A Review of the Met Museum’s ‘The Real Thing: Unpackaging Product Photography’
Ayana Chari
, Staff Reporter
July 9, 2024
Multifaceted Minimalism: ‘Cycladic Art’ at The Met
Dara King
, Staff Reporter
May 14, 2024
Captivating Colors and Timeless Periods: A Review of the MET Museum’s ‘Indian Skies: The Howard Hodgkin Collection of Indian Court Painting’
Rida Nuamah
, Staff Reporter
May 12, 2024
The MET’s European Galleries, in Full Illumination at Last
Allegra Lief
, Staff Reporter
March 12, 2024
Unveiling the Fashion Industry: A Review of ‘Women Dressing Women’ at the MET
Frances Auth
, Staff Reporter
February 2, 2024
Navigating the Appeal and Authenticity of the Fort Tryon Medieval Festival
Tori Wee
, Staff Reporter
January 24, 2024
‘Vertigo of Color’: Fauvism Unveiled at the Met
Simone Ginsberg
, Staff Reporter
January 4, 2024
A Cubist Introduction to New York: A Review of ‘Picasso: A Cubist Commission in Brooklyn’ at the MET
Frances Auth
, Staff Reporter
December 22, 2023
From Spirited Rivalry to Grudging Admiration: A Review of ‘Manet/Degas’ at the MET
Allegra Lief
, Staff Reporter
December 20, 2023
A Comprehensive Cubist Compendium: A Review of ‘Cubism and the Trompe l’Oeil Tradition’ at the MET Museum
Sela Emery
, Staff Reporter
January 17, 2023
Winslow Homer Crosses Creative Confinements in ‘Crosscurrents’ at the Metropolitan Museum of Art
Sela Emery
, Staff Reporter
July 24, 2022
Glamour, Glitter, and Grandeur: A History of The Met Gala
Nehla Chowdhury
, Staff Reporter
April 17, 2022
Baroque Reveries: A Review of the Met Museum’s ‘Inspiring Walt Disney: The Animation of French Decorative Arts’
Sarah Derkach
, Staff Reporter
February 4, 2022
The Metropolitan Museum of Art Reopens its Doors
Rose Marabello
, Staff Reporter
November 23, 2020
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