Doo Wop Ba Doo Ba British Soul: Soul Music’s Journey and Transformation From the U.S. to the U.K.
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Exploring Local Cuisine with Food Travelogues
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• July 21, 2022
Power in Freedom: FromSoftware’s ‘Elden Ring’
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• July 19, 2022
One Hundred Years of James Joyce’s ‘Ulysses’
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• April 27, 2022
Everyone is Waiting to Get ‘On the Road’ with Jack Kerouac
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Ai Weiwei: The Most Powerful Artist in the World
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• April 27, 2022
Hans Holbein as a Humanist Hero in an Exhibition at the Morgan Library
Sela Emery, Staff Reporter
• April 27, 2022
Toni Morrison’s Musings on Motherhood: A Review of the Short Story ‘Recitatif’
Aissata Barry, Staff Reporter
• April 27, 2022
To Recall the Future: A Review of ‘The Heike Story’
Paromita Talukder, Staff Reporter
• April 27, 2022
‘Black Orpheus,’ a Tale of Passion and Loss, and Bossa Nova, Its Perfect Accompaniment
Alexandra Smithie, Staff Reporter
• April 27, 2022
The Allure of Nature Documentaries: Conservation Through Storytelling
Nicole Zhou, Staff Reporter
• April 27, 2022
Hollywood at Home: Cinema History in Queens, New York City
Marian Caballo, Staff Reporter
• April 27, 2022
Balletcore: A Curtsy to the Intersections of Ballet and Fashion
Karishma Ramkarran, Staff Reporter
• April 27, 2022
The Danger in a Certain Knowing: A Review of Cristina Rivera Garza’s ‘The Iliac Crest’
Cadence Chen, Staff Reporter
• April 24, 2022
A Review of the Webcomic Series ‘Tower of God’
Eddie Jiang, Staff Reporter
• April 24, 2022
An Exploration of the Video Game ‘Lost Ark’ and Problems With Amazon Hosting
Sophie Livingstone, Staff Reporter
• April 24, 2022
A Review of the Post-Apocalyptic Series ‘Station Eleven’
Declan Hilfers, Staff Reporter
• April 24, 2022
Mitski Returns: A Review of the Indie Rock Singer’s Latest Album, ‘Laurel Hell’
Elizabeth Colón, Staff Reporter
• April 22, 2022
The Allure of Dominic Fike: One of Hollywood’s Newest Heartthrobs Takes to the Stage
Chanel Richardson, Staff Reporter
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Staff Profile
Tristan Borlongan
Staff Reporter